缅北强奸

Le chapitre canadien de l'Association Litt茅raire et Artistique Internationale (ALAI) et le Centre des politiques en propri茅t茅 intellectuelle sont heureux d'accueillir le professeur David Nimmer.

[La suite en anglais seulement]

In October 2018, Congress passed a massive amendment to the US Copyright Act, under the caption 鈥淥rrin G. Hatch鈥揃ob Goodlatte Music Modernization Act.鈥� The upheaval caused by that earthquake is still being felt.

Professor Nimmer will place these events in context. Taking a comprehensive look at US copyright law as it progressed through the 20th century, he will focus on its distinctive provisions governing the exploitation of musical compositions and sound recordings. He will show how the 1976 Act slotted those works for protection, including its distinctive feature allowing 鈥渢ermination of transfer,鈥� namely the recapture of works 35 years after granting rights in them. From there, we will work through numerous details of the 2018 blockbuster legislation. Beyond placing it in the context of what has come before (including its impact on termination of transfer), he will root matters in their 21st century implementation.

Included will be a look at such features as:

• Federalization of protection for pre-1972 sound recordings, which formerly were protected as a matter of state law;
• The newly established blanket license, administered by a 鈥渕echanical licensing collective鈥�;
• Status of voluntary licenses in the context of the newly formed blanket license;
• The coordinate establishment of the role of 鈥渄igital licensee coordinator鈥�;
• Regulation of functions of 鈥渄igital musical providers鈥�;
• The massive new 鈥渕usical works database鈥� that lubricates the entire process;
• Effect of these new forms on traditional copyright infringement causes of action;
• The brainteaser of what constitutes 鈥渄igital phonorecord delivery鈥�; and
• Further ruminations on the new treatment of musical compositions versus sound recordings.

Le conf茅rencier

David Nimmer is of counsel to Irell & Manella LLP in Los Angeles, California. He also serves as Professor from Practice at UCLA School of Law, and Distinguished Scholar at the Berkeley Center for Law and Technology. He has also been a guest professor at many universities around the world. While resident in at Paris V鈥擱en茅 Descartes, he delivered a lecture entitled 鈥�Remarques peu orthodoxes sur la protection du droit d鈥檃uteur en France et aux Etats-Unis,鈥� which was published in Entertainment, Issue No. 8 (2018).

Since 1985, Prof. Nimmer has authored and updated Nimmer on Copyright, the standard reference treatise in the field, first published in 1963 by his late father, Professor Melville B. Nimmer. The U.S. Supreme Court has cited Nimmer on Copyright on numerous occasions, as has every federal appellate court, countless district and state courts, as well as courts confronting copyright cases in countries across the globe.

Widely recognized as a foremost expert in copyright law, Prof. Nimmer was named one of 鈥淭he 25 Most Influential People in IP鈥� by The American Lawyer. He has also been named the 2018 Copyright Law 鈥淟awyer of the Year鈥� and the 2013 Los Angeles Litigation Intellectual Property 鈥淟awyer of the Year鈥� by The Best Lawyers in America and one of California鈥檚 鈥淭op 10 Copyright Lawyers鈥� by the Los Angeles and San Francisco Daily Journal. Prof. Nimmer represents clients in the entertainment, publishing and high-technology fields.聽

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