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Master of Music (M.Mus.) Performance: Organ (Thesis) (45 credits)

Note: This is the 2020鈥�2021 eCalendar. Update the year in your browser's URL bar for the most recent version of this page, or .

Offered by: Music     Degree: Master of Music

Program Requirements

The M.Mus. in Performance; Organ program provides organists with the opportunity to hone their artistry and interpretive skills. The program combines performance with seminars in historically informed performance practice, music and liturgy, counterpoint, improvisation, and continuo playing, among other options.

Students admitted to the M.Mus. in Performance; Organ program who have undergraduate degrees other than the B.Mus.; Major in Performance (Organ, Harpsichord, Guitar) from 缅北强奸, may be required to successfully complete one or more undergraduate course(s) before completion of the Master's degree. Students with a B.Mus.; Major Performance (Organ, Harpsichord, Guitar) degree from 缅北强奸 may be required to successfully complete MUPD 560 Introduction to Research Methods in Music before completion of the Master's program.

Required Courses (21 credits)

Thesis Courses

  • MUIN 620 Performance Tutorial 1 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Individual instrumental, vocal, conducting, collaborative piano or operatic tutorial. Technical and interpretive development, preparation of thesis performance projects.

    Terms: Fall 2020, Winter 2021

    Instructors: Algieri, Stefano; Cazes, Alain; Haimovitz, Matt; Hashimoto, Kyoko; Hauser, Rudolf-Alexius; Knox, Hank; Laimon, Sara; Mdivani, Marina; Roy, Andre J; Poletaev, Ilya; Eriksson, Erik; Strauss, Axel; Leclair, Jacqueline; Lemelin, St茅phane; Labelle, Dominique; Baskin, Theodore; Box, James; Christie, Carolyn; Devuyst, Russell; Dolin, Elizabeth; Gaudreault, Jean; Kolomyjec, Joanne; Levesque, Stephane; Lupien, Denise; McMahon, Michael; Robinson, Brian; Marandola, Fabrice; Weman Eriksson, Lena; Stoelzel, Richard; Vall茅e, Jean-S茅bastien; Mac Master, John; Cho, Jinjoo; Aldrich, Simon; Bergeron, Sylvain; Chappell, Eric; Desgagne, Alain; Dyachkov, Yegor; Freeman, Peter; Gavrilova, Julia; Johnson, Alexander David; Mangrum, Martin D; Manker, Brian; Merkelo, Paul A; Napper, Susan; Plouffe, Helene; Swartz, Jennifer; Jennejohn, Matthew; Popescu, Annamaria; Ducharme, J茅r么me; Beaudry, Pierre; Mallette, Marcelle; Howle, Mark Austin; Read, Alexander; Normand, Jean-Francois; Cope, Todd; Cote, Nadia; Melancon, Violaine; Brouwer, Albert G; Brault, Olivier; Watson, Nathaniel; Polegato, Brett; Dobby, Timothy; Yazdanfar, Ali; Wan, Andrew; Smith Bessette, Tracy; Cowan, Steven; Lane, Christian; Hendrickson, Anna; Soderstrom, Elin; Bluteau, Denis; Dix, Trevor; Beausejour, Luc; Trevino, Matthew (Fall) Mdivani, Marina; Christie, Carolyn; Leclair, Marie-Chantal; Manker, Brian (Winter)

  • MUIN 621 Performance Tutorial 2 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Additional individual instrumental, vocal, conducting, collaborative piano or operatic tutorial according to area of performing specialization.

    Terms: Fall 2020, Winter 2021

    Instructors: Hashimoto, Kyoko; Roy, Andre J; Strauss, Axel; Kolomyjec, Joanne; Levesque, Stephane; Bergeron, Sylvain; Leclair, Marie-Chantal (Fall) Algieri, Stefano; Cazes, Alain; Haimovitz, Matt; Hashimoto, Kyoko; Hauser, Rudolf-Alexius; Knox, Hank; Laimon, Sara; Mdivani, Marina; Roy, Andre J; Poletaev, Ilya; Strauss, Axel; Leclair, Jacqueline; Lemelin, St茅phane; Moye, Felicia; Labelle, Dominique; Baskin, Theodore; Box, James; Christie, Carolyn; Devuyst, Russell; Dolin, Elizabeth; Gaudreault, Jean; Kolomyjec, Joanne; Levesque, Stephane; Lupien, Denise; McMahon, Michael; Robinson, Brian; Marandola, Fabrice; Weman Eriksson, Lena; Stoelzel, Richard; Vall茅e, Jean-S茅bastien; Hargreaves, Stephen; Mac Master, John; Cho, Jinjoo; Aldrich, Simon; Bergeron, Sylvain; Chappell, Eric; Desgagne, Alain; Dyachkov, Yegor; Freeman, Peter; Gavrilova, Julia; Johnson, Alexander David; Mangrum, Martin D; Manker, Brian; Merkelo, Paul A; Napper, Susan; Plouffe, Helene; Swartz, Jennifer; Jennejohn, Matthew; Popescu, Annamaria; Ducharme, J茅r么me; Beaudry, Pierre; Mallette, Marcelle; Howle, Mark Austin; Read, Alexander; Normand, Jean-Francois; Cote, Nadia; Melancon, Violaine; Brouwer, Albert G; Brault, Olivier; Watson, Nathaniel; Polegato, Brett; Dobby, Timothy; Yazdanfar, Ali; Wan, Andrew; Lane, Christian; Hendrickson, Anna; Soderstrom, Elin; Cope, Todd; Bluteau, Denis; Dix, Trevor; Beausejour, Luc; Trevino, Matthew; Foster, Adrian (Winter)

  • MUIN 622 Performance Tutorial 3 (3 credits) *

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.

    Terms: Fall 2020, Winter 2021

    Instructors: Algieri, Stefano; Cazes, Alain; Haimovitz, Matt; Hashimoto, Kyoko; Hauser, Rudolf-Alexius; Knox, Hank; Laimon, Sara; Mdivani, Marina; Roy, Andre J; Poletaev, Ilya; Eriksson, Erik; Strauss, Axel; Leclair, Jacqueline; Lemelin, St茅phane; Labelle, Dominique; Baskin, Theodore; Box, James; Christie, Carolyn; Devuyst, Russell; Dolin, Elizabeth; Kolomyjec, Joanne; Levesque, Stephane; Lupien, Denise; McMahon, Michael; Robinson, Brian; Marandola, Fabrice; Stoelzel, Richard; Vall茅e, Jean-S茅bastien; Mac Master, John; Cho, Jinjoo; Aldrich, Simon; Bergeron, Sylvain; Bolduc, Remi; Desgagne, Alain; Dyachkov, Yegor; Freeman, Peter; Gavrilova, Julia; Johnson, Alexander David; Mangrum, Martin D; Manker, Brian; Merkelo, Paul A; Napper, Susan; Plouffe, Helene; Swartz, Jennifer; Popescu, Annamaria; Ducharme, J茅r么me; Mallette, Marcelle; Richer, Patrice; Read, Alexander; Normand, Jean-Francois; Cope, Todd; Cote, Nadia; Melancon, Violaine; Brault, Olivier; Watson, Nathaniel; Yazdanfar, Ali; Wan, Andrew; Smith Bessette, Tracy; Lane, Christian; Brouwer, Albert G; Bluteau, Denis; Chappell, Eric; Howle, Mark Austin; Jennejohn, Matthew; Polegato, Brett; G'froerer, Joanna; Gaudreault, Jean; Soderstrom, Elin (Fall) Haimovitz, Matt; Hashimoto, Kyoko; Hauser, Rudolf-Alexius; Knox, Hank; Laimon, Sara; Mdivani, Marina; Roy, Andre J; Poletaev, Ilya; Strauss, Axel; Christie, Carolyn; Kolomyjec, Joanne; Levesque, Stephane; Marandola, Fabrice; Stoelzel, Richard; Bergeron, Sylvain; Bolduc, Remi; Merkelo, Paul A; Leclair, Marie-Chantal; Cowan, Steven; Napper, Susan; Desgagne, Alain; Lemelin, St茅phane; Algieri, Stefano; Leclair, Jacqueline; Labelle, Dominique; Baskin, Theodore; Dolin, Elizabeth; Vall茅e, Jean-S茅bastien; Mac Master, John; Aldrich, Simon; Manker, Brian; Jennejohn, Matthew; Popescu, Annamaria; Ducharme, J茅r么me; Cope, Todd; Brault, Olivier; Polegato, Brett; Wan, Andrew; G'froerer, Joanna; Chappell, Eric; Gaudreault, Jean; Soderstrom, Elin; Oldengarm, Jonathan (Winter)

  • MUIN 622D1 Performance Tutorial 3 (1.5 credits) *

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.

    Terms: Fall 2020

    Instructors: Algieri, Stefano; Knox, Hank; Mdivani, Marina; Poletaev, Ilya; Leclair, Jacqueline; Lemelin, St茅phane; Labelle, Dominique; Baskin, Theodore; Christie, Carolyn; Dolin, Elizabeth; Kolomyjec, Joanne; Levesque, Stephane; Marandola, Fabrice; Vall茅e, Jean-S茅bastien; Mac Master, John; Aldrich, Simon; Manker, Brian; Jennejohn, Matthew; Popescu, Annamaria; Ducharme, J茅r么me; Cope, Todd; Cote, Nadia; Brault, Olivier; Polegato, Brett; Wan, Andrew; G'froerer, Joanna; Desgagne, Alain; Chappell, Eric; Gaudreault, Jean; Soderstrom, Elin; Eriksson, Erik (Fall)

  • MUIN 622D2 Performance Tutorial 3 (1.5 credits) *

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.

    Terms: Winter 2021

    Instructors: Lemelin, St茅phane; Algieri, Stefano; Knox, Hank; Mdivani, Marina; Poletaev, Ilya; Leclair, Jacqueline; Labelle, Dominique; Baskin, Theodore; Christie, Carolyn; Dolin, Elizabeth; Kolomyjec, Joanne; Levesque, Stephane; Marandola, Fabrice; Vall茅e, Jean-S茅bastien; Mac Master, John; Aldrich, Simon; Manker, Brian; Jennejohn, Matthew; Popescu, Annamaria; Ducharme, J茅r么me; Cope, Todd; Brault, Olivier; Polegato, Brett; Wan, Andrew; G'froerer, Joanna; Desgagne, Alain; Chappell, Eric; Gaudreault, Jean; Soderstrom, Elin; Oldengarm, Jonathan (Winter)

  • MUPG 600 Recital Project 1 (9 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Solo recital, collaborative piano recital, conducting recital or principal Opera Role (by audition) with program notes.

    Terms: Fall 2020, Winter 2021, Summer 2021

    Instructors: There are no professors associated with this course for the 2020-2021 academic year.

    • Solo recital (60-70 minutes), collaborative piano recital (60-70 minutes), conducting recital (30-35 minutes) or Principal Opera Role as defined by the American Guild of Musical Artists' website (), Lead, Schedule C

* Students can take MUIN 622 or MUIN 622D1 and MUIN 622D2.

Complementary Courses (24 credits)

9 credits from the following:

  • MUPG 601 Recital Project 2 (9 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Solo recital, collaborative piano recital, conducting recital or principal opera role (by audition) with program notes. May include chamber music providing none of the repertoire was prepared in a chamber ensemble taken for credit.

    Terms: Fall 2020, Winter 2021, Summer 2021

    Instructors: There are no professors associated with this course for the 2020-2021 academic year.

    • Solo recital (60-70 minutes), collaborative piano recital (60-70 minutes), conducting recital (35-40 minutes) or principal opera role (by audition) as defined by the American Guild of Musical Artists' website (), Lead, Schedule C

  • MUPG 602 Recital Project 3 (6 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Recital, conducting recital or featured opera role (by audition) with program notes.

    Terms: Fall 2020, Winter 2021, Summer 2021

    Instructors: There are no professors associated with this course for the 2020-2021 academic year.

    • Recital (30-40 minutes), conducting recital (20-25 minutes) or featured opera role (by audition) as defined by the American Guild of Musical Artists' website (), Featured, Schedule C

  • MUPG 603 Recital Project 4 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Concerto performance with orchestra (for the concerto competition or other competition in Montreal) or supporting opera role (by audition) with program notes.

    Terms: Fall 2020, Winter 2021

    Instructors: There are no professors associated with this course for the 2020-2021 academic year.

    • Supporting Opera Role as defined by the American Musical Artists' website (), Supporting, Schedule C

  • MUPG 605 Recording Project (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Recording project with liner notes.

    Terms: Fall 2020, Winter 2021

    Instructors: There are no professors associated with this course for the 2020-2021 academic year.

    • Limited enrolment; admissions by proposal only and with approval of the Department; additional fees apply.

  • MUPG 606 Interdisciplinary Project 1 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Research-creation involving collaboration between different disciplines resulting in a new work, interpretation or contribution to knowledge presented in public (i.e., performer-composer commission; performer and actor/dancer collaboration, subject in CIRMMT research study, etc) with program notes as relevant.

    Terms: Fall 2020, Winter 2021

    Instructors: There are no professors associated with this course for the 2020-2021 academic year.

    • Performer-composer composition of 5-10 minutes. By proposal only and with approval of the Department.

  • MUPG 607 Interdisciplinary Project 2 (6 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Research-creation involving collaboration between different disciplines resulting in a new work, interpretation or contribution to knowledge presented in public (i.e., performer-composer commission); performance and actor/dancer collaboration, participant as co-researcher in CIRMMT study including participation in analysis of data, etc.) with program notes as relevant.

    Terms: Fall 2020, Winter 2021

    Instructors: There are no professors associated with this course for the 2020-2021 academic year.

    • Performer-composer commission of 10-20 minutes. By proposal only and approval of the Department.

  • MUPG 676 Special Project in Church Music (9 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Individualized project involving performance in church setting to include both organ performance and choral direction.

    Terms: This course is not scheduled for the 2020-2021 academic year.

    Instructors: There are no professors associated with this course for the 2020-2021 academic year.

3 credits from the following:

A 3-credit seminar at the 600 level or higher with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, or MUTH.

3 credits from the following:

  • MUHL 591D1 Paleography (1.5 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : The theory and practice of musical transcription for the period 1100 to 1600. Black modal notation, Franconian notation, French and Italian Ars Nova notation, Mannerism, white mensural notation, proportions, and lute and keyboard tablatures will be studied.

    Terms: Fall 2020

    Instructors: Cumming, Julie Emelyn (Fall)

  • MUHL 591D2 Paleography (1.5 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : See MUHL 591D1 for course description.

    Terms: Winter 2021

    Instructors: Cumming, Julie Emelyn (Winter)

    • Prerequisite: MUHL 591D1

    • No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms

  • MUTH 602 Keyboard Modal Counterpoint (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Music Theory and Analysis : Advanced study of polyphonic techniques of the renaissance period through written exercises, in-depth written case study, and improvised practice at the keyboard.

    Terms: This course is not scheduled for the 2020-2021 academic year.

    Instructors: There are no professors associated with this course for the 2020-2021 academic year.

    • Prerequisite: MUTH 202 or equivalent

    • Restrictions: Open to graduate keyboardists in early music and organ or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.

  • MUTH 604 Keyboard Tonal Counterpoint (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Music Theory and Analysis : Advanced study of polyphonic techniques of tonal music through written exercises, in-depth written case study, and improvised practice at the keyboard.

    Terms: This course is not scheduled for the 2020-2021 academic year.

    Instructors: There are no professors associated with this course for the 2020-2021 academic year.

    • Prerequisite: MUTH 204 or equivalent

    • Restrictions: Open to graduate keyboardists only or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.

or a 3-credit seminar at the 600 level or higher, approved by the Schulich School of Music.

6 credits from the following:

  • MUEN 540 Chamber Music Project 1 (0.5 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Chamber music ensemble for various instruments.

    Terms: This course is not scheduled for the 2020-2021 academic year.

    Instructors: There are no professors associated with this course for the 2020-2021 academic year.

    • Requires departmental approval

    • Restrictions: Open to undergraduate and graduate Performance students

  • MUEN 541 Chamber Music Project 2 (0.5 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Chamber music ensemble for various instruments.

    Terms: This course is not scheduled for the 2020-2021 academic year.

    Instructors: There are no professors associated with this course for the 2020-2021 academic year.

    • Requires departmental approval

    • Restrictions: Open to undergraduate and graduate Performance students

  • MUEN 560 Chamber Music Ensemble (1 credit) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Ensemble for chamber music - various instruments.

    Terms: Fall 2020, Winter 2021

    Instructors: Swartz, Jennifer; Leclair, Marie-Chantal; Dix, Trevor; Lupien, Denise; Stoelzel, Richard (Fall) Cho, Jinjoo; Yazdanfar, Ali; Swartz, Jennifer; Mangrum, Martin D; Baskin, Theodore; Levesque, Stephane; Aldrich, Simon; Leclair, Jacqueline; Cope, Todd; Gaudreault, Jean; Leclair, Marie-Chantal; Stoelzel, Richard; Box, James; Roy, Andre J; Strauss, Axel; Hashimoto, Kyoko; Haimovitz, Matt; Poletaev, Ilya (Winter)

    • Prerequisite(s): Audition.

    • Restriction(s): For Music students; open to others by permission of the Department.

  • MUEN 561 2nd Chamber Music Ensemble (1 credit) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Chamber music of the Medieval, Renaissance and Baroque periods.

    Terms: Winter 2021

    Instructors: Cho, Jinjoo; Aldrich, Simon; Gaudreault, Jean; Cope, Todd; Poletaev, Ilya; Mangrum, Martin D (Winter)

    • 1 hour

    • Prerequisite: Audition.

  • MUEN 569 Tabla Ensemble (1 credit) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Performance and practice of the tabla of North India.

    Terms: Fall 2020, Winter 2021

    Instructors: Mativetsky, Shawn (Fall) Mativetsky, Shawn (Winter)

    • Can be taken more than once.

  • MUEN 573 Baroque Orchestra (2 credits) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Open to singers and instrumentalists, this ensemble specializes in chamber music primarily of the Baroque era.

    Terms: Winter 2021

    Instructors: Bandy, Dorian (Winter)

    • 4 hours

    • Prerequisites: Audition

  • MUEN 580 Early Music Ensemble (1 credit) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.

    Terms: Winter 2021

    Instructors: Bandy, Dorian; Basque, Alexis; Brault, Olivier; La Rotta, Esteban; Bergeron, Sylvain; Jennejohn, Matthew; Andriani, Laura (Winter)

    • Prerequisite: Audition. Prerequisite or corequisite for keyboard players: MUPG 272.

  • MUEN 593 Choral Ensembles (2 credits) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Students enrolling in Choral Ensembles will be assigned to one of the above groups.

    Terms: Winter 2021

    Instructors: Vall茅e, Jean-S茅bastien; Hon, Andrew (Winter)

    • 4 hours

    • Prerequisite: Audition.

    • Section 001 Chamber Singers: a group of approximately 24 mixed voices which explores the a cappella repertoire of all periods as well as works with chamber accompaniment.

    • Section 002 Concert Choir: an ensemble of approximately 60 voices (S.A.T.B.) which performs the repertoire from all periods appropriate to a group of this size.

    • Section 003 University Chorus: a mixed chorus of approximately 100 which performs a variety of choral material including both traditional and popular selections.

    • Section 004 Women's Chorale: an ensemble of approximately 40 women stressing the fundamentals of singing and ensemble participation.

  • MUEN 594 Contemporary Music Ensemble (2 credits) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Ensemble for contemporary music - instruments and voice.

    Terms: Winter 2021

    Instructors: Marandola, Fabrice (Winter)

    • 4 hours

    • Prerequisite: Audition.

  • MUEN 597 缅北强奸 Symphony Orchestra (2 credits) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Ensemble for orchestral instruments.

    Terms: Winter 2021

    Instructors: Hauser, Rudolf-Alexius (Winter)

    • 6 - 7 hours

    • Prerequisite: Audition.

  • MUHL 591D1 Paleography (1.5 credits) **

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : The theory and practice of musical transcription for the period 1100 to 1600. Black modal notation, Franconian notation, French and Italian Ars Nova notation, Mannerism, white mensural notation, proportions, and lute and keyboard tablatures will be studied.

    Terms: Fall 2020

    Instructors: Cumming, Julie Emelyn (Fall)

  • MUHL 591D2 Paleography (1.5 credits) **

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : See MUHL 591D1 for course description.

    Terms: Winter 2021

    Instructors: Cumming, Julie Emelyn (Winter)

    • Prerequisite: MUHL 591D1

    • No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms

  • MUPG 575D1 Organ Repertoire and Performance Practice (1.5 credits) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : Seminar covering topics related to organ playing, such as liturgical organ playing, organ repertoire and improvisation.

    Terms: Fall 2020

    Instructors: Oldengarm, Jonathan (Fall)

    • 1. 1 1/2 hours

    • 2. Students must register for both MUPG 575D1 and MUPG 575D2.

    • 3. No credit will be given for this course unless both MUPG 575D1 and MUPG 575D2 are successfully completed in consecutive terms.

  • MUPG 575D2 Organ Repertoire and Performance Practice (1.5 credits) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : For description see MUPG 575D1.

    Terms: Winter 2021

    Instructors: Oldengarm, Jonathan (Winter)

  • MUTH 602 Keyboard Modal Counterpoint (3 credits) **

    Offered by: Music Research (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Music Theory and Analysis : Advanced study of polyphonic techniques of the renaissance period through written exercises, in-depth written case study, and improvised practice at the keyboard.

    Terms: This course is not scheduled for the 2020-2021 academic year.

    Instructors: There are no professors associated with this course for the 2020-2021 academic year.

    • Prerequisite: MUTH 202 or equivalent

    • Restrictions: Open to graduate keyboardists in early music and organ or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.

  • MUTH 604 Keyboard Tonal Counterpoint (3 credits) **

    Offered by: Music Research (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Music Theory and Analysis : Advanced study of polyphonic techniques of tonal music through written exercises, in-depth written case study, and improvised practice at the keyboard.

    Terms: This course is not scheduled for the 2020-2021 academic year.

    Instructors: There are no professors associated with this course for the 2020-2021 academic year.

    • Prerequisite: MUTH 204 or equivalent

    • Restrictions: Open to graduate keyboardists only or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.

* May be taken more than once.
** If not taken as a seminar

Schulich School of Music—2020-2021 (last updated Mar. 27, 2020) (disclaimer)
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