Program Requirements
The Minor Composition is available to all students with approval (with the exception of students in the Major Composition.) This option will take the place of music and/or free electives.
Required Courses (9 credits)
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MUCO 230 The Art of Composition (3 credits)
Overview
Composition : An introduction to compositional techniques and notational practices of the twentieth and twenty-first centuries, including the analysis of selected works.
Terms: Winter 2016
Instructors: Hui, Melissa (Winter)
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MUCO 260 Instruments of the Orchestra (3 credits)
Overview
Composition : An introductory study of the instruments of string, woodwind and brass families, elementary acoustics of the instruments. Techniques of playing including embouchure, fingering, bowing, hand-stopping, transposing instruments. Evolution of the instruments, their technique and their music from the 18th century to the present.
Terms: Fall 2015
Instructors: Hui, Melissa (Fall)
3 hours
Restriction: Not open to students in the Major Composition
Priority will be given to students in the Minor Composition and Special Students in the prerequisite package for Sound Recording. Other students may be admitted with permission of the instructor.
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MUCO 341 Digital Studio Composition 1 (3 credits)
Overview
Composition : Composition with MIDI, audio recording, digital audio signal processing software and hardware. Creation of small-scale composition studies using technological resources in the context of electroacoustic music. The hands-on activities will include critical listening and evaluation of electronic and computer music repertoire.
Terms: Fall 2015
Instructors: Leroux, Philippe (Fall)
Complementary Courses (9 credits)
9 credits selected from
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MUHL 385 Early Twentieth-Century Music (3 credits)
Overview
Music History and Literature : Development of European, Russian, and American music from the 1890s until the early 1940s, tracing its roots in late 19th-century Romanticism and following its evolution in central Europe, France, and the United States. The music of major innovators such as Debussy, Stravinsky, Schoenberg, Ives, and Varèse will be discussed.
Terms: Fall 2015
Instructors: Barg, Lisa (Fall)
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MUHL 391 Canadian Music (3 credits)
Overview
Music History and Literature : Survey of music in Canada from the 16th Century to the present. Current musical organizations and institutions, and contemporary Canadian music will be stressed. Time permitting, brief reference will be made to the folk music of indigenous and immigrant groups.
Terms: Winter 2016
Instructors: Cherney, Brian (Winter)
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MUHL 392 Music since 1945 (3 credits)
Overview
Music History and Literature : Appearance and evolution of such post-war phenomena as total serialism, "chance" music of various kinds, and electronic music as seen in major figures such as Boulez, Stockhausen, Cage and others in Europe and the United States. Important developments during the 1960s. Rise of "minimalism" and "neo-Romanticism" during the 1970s and 80s.
Terms: This course is not scheduled for the 2015-2016 academic year.
Instructors: There are no professors associated with this course for the 2015-2016 academic year.
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MUTH 322 Topics in Post-Tonal Analysis (3 credits)
Overview
Music Theory and Analysis : Topics in advanced analysis of post-tonal music.
Terms: Fall 2015
Instructors: Neidhofer, Christoph (Fall)
3 hours
Prerequisite: MUTH 350
Topics will change from semester to semester.
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MUTH 539 Topics in Advanced Writing Techniques (3 credits)
Overview
Music Theory and Analysis : Advanced writing skills, including intensive four-part harmonization, advanced harmonic vocabulary and syntax, post-tonal counterpoint.
Terms: This course is not scheduled for the 2015-2016 academic year.
Instructors: There are no professors associated with this course for the 2015-2016 academic year.