缅北强奸

奥颈迟丑听Marcelo M. Wanderley, Professor, Music Technology, Schulich School of Music, 缅北强奸
International Chair, Inria Lille - Nord Europe, France

Many people today listen to music exclusively through some digital device: phones, tablets or computers. In the last few decades, digital technology has impacted how we compose, perform, record, distribute and listen to music. Digital technology also has allowed for completely novel musical styles and instruments to appear. In this talk, Dr. Marcelo Wanderley, drawing on examples from his interdisciplinary research in music technology, will discuss how computing technology invites us to interact with music differently and speculate about how technology can shape the future of music.

Marcelo M. Wanderley graduated in electrical engineering at the UFPR and holds a Master鈥檚 degree in engineering from UFSC, Brazil and a Ph.D. from Universit茅 Pierre et Marie Curie and Ircam, France. He is Full Professor of Music Technology at 缅北强奸, Canada, and International Chair at Inria Lille 鈥� Nord Europe, France. He is a member of Computer Music Journal鈥檚 Editorial Advisory Board and a senior member of the ACM and of the IEEE. He co-edited the electronic book 鈥淭rends in Gestural Control of Music鈥�, 2000, co-authored the textbook 鈥淣ew Digital Musical Instruments: Control and Interaction Beyond the Keyboard鈥�, 2006, and chaired the 2003 International Conference on New Interfaces for Musical Expression (NIME03). His research interests include the design and evaluation of digital musical instruments and the analysis of performer movements.

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