缅北强奸

By Kathryn Jezer-Morton

Three of the six Killam Research Fellows also teach at 缅北强奸

What does a novel communicate about the world of its inhabitants?聽What can it teach us about our relation to the world that other forms of thought do not teach us? Prof. Isabelle Daunais, of 缅北强奸鈥檚 D茅partement de langue et litt茅rature fran莽aises and Canada Research Chair in the Esthetics and Art of the Novel, engaged with these questions to critical acclaim in her 2015 book, Le roman sans aventure (Les 脡ditions du Bor茅al), and they continue to inform her research today.

The strength and resonance of her scholarship are being honoured on May 3, 2016, when she will be awarded the Canada Council鈥檚 Killam Prize for the Humanities at a ceremony at Rideau Hall in Ottawa. The Killam Prize remains one of Canada鈥檚 most prestigious awards, worth $100,000 and given annually to five researchers in the respective fields of humanities, social sciences, natural sciences, health sciences, and engineering.

When Prof. Daunais鈥� 2015 book was published, she expected some controversy. Central to its argument is an assertion that Quebec novels published between the end of the 19th century and the 1980s never found an audience outside Quebec because they contain, in essence, no challenges to the characters鈥� ideas about the world. 鈥淚 saw a thread through all these works of Quebecois literature,鈥� says Daunais. 鈥淭hey lack adventure 鈥� or a transformation of a character because his world is transforming.鈥�

Traditionally, a novel deals with a character鈥檚 transformation, brought about by changes in his or her social world. Daunais argues that it was the very character of Quebecois culture that informed the Quebecois 鈥渘ovel without adventure.鈥�

鈥淨uebec has not been confronted with wars. There has been a kind of isolation that has protected Quebec from history with a big H, and from any dramatic or unforeseen transformation,鈥� she says.

Daunais鈥� research for Le roman sans aventure deals only with novels published through the early 1990s. If she were to write a sequel about the contemporary Quebec novel, she believes she would be dealing with a different Quebec. 鈥淎 lot has changed in Quebec since the early 90s,鈥� she says.

Lately, Prof. Daunais has been on sabbatical, researching how the novel works as a tool for memory. 鈥淭he novel isn鈥檛 about what鈥檚 new,鈥� she says. 鈥淥ften it is about what has disappeared. It is a tool that our culture has created to understand the world. I am interested in what the novel is saying in what the novel is saying about what we let go of the past, and what we try to retain from it,鈥� she says. Her new project approaches the history of memory through the novel. 鈥淲hat does the novel tell us about how we remember things?鈥� she asks. 鈥淥ld ways of being, old ways of acting, that are still active in our minds, but have vanished.鈥�

Prof. Daunais鈥� history at 缅北强奸 far precedes 2004, when she arrived here as a professor. She completed her undergraduate, master鈥檚, and doctorate degrees here, spending a year on an exchange at the 脡cole Normale Sup茅rieure in Paris. After teaching at Universit茅 Laval, she returned to 缅北强奸. Over the years, she has built an international reputation as a scholar of 19th century French literature, particularly Flaubert and realism.

On the honour of receiving the Killam Prize, she says, 鈥溾�淚t鈥檚 a huge encouragement to keep focused on what I鈥檓 doing, and I want to thank my research team and all my students for being such an important part of it.鈥�

The Canada Council also announced its Killam Research Fellowships, which recognizes scholars engaged in ongoing projects of outstanding merit. 缅北强奸 is home to three of the six fellows. They are:

Charles Gale, James 缅北强奸 Professor in the Department of Physics, honoured for his project, Nuclear Matter under Extreme conditions: Elucidating the Properties of the Quark-Gluon Plasma

Andrew Gonzalez, Department of Biology, Canada Research Chair in Biodiversity Science, recognized for his project, From science to solutions: biodiversity science for global environmental change

Stephen McAdams, Schulich School of Music; Canada Research Chair in Music Perception and Cognition, recognized for his project, Timbre on my mind: Toward a perceptual foundation for a theory of orchestration.