缅北强奸

Music, Mosh Pits, and Mayhem: A Public Relations Journey

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Jon Asher, former musician and graduate from the 缅北强奸 Public Relations and Communication Management program, shares how he transformed his love of music into an entrepreneurial endeavour.

Let's听rewind to 2007 when Jonathan Asher, a twenty-something musician, finds himself 鈥渂roke and couch surfing鈥 in Toronto. His band has split up and a promised position with a music TV channel has fallen through.听

"I had no other industry contacts and applied to job after job just to be told I wasn't qualified enough," said Asher. "It was brutal. I didn't want to be another unemployment statistic."听

In the depths of gloom, Asher, as he鈥檚 called, experienced an "ah ha moment,鈥 which opened the way to a successful career as a publicist in the tough music industry.听听

"I had an epiphany in Toronto," he said. "I realized that I had a ready-made network of fellow musicians back in Montreal who knew and trusted me."听

Asher also realized he had gained many skills from his days with the band. "I get bored easily and was the guy who did everything. I learned how to book shows, set up the website, deal with promoters and network with musicians."听

Sadder but savvier, he returned home and decided to set up in his mother's basement. "Originally, I wanted to be a rock star and like everyone else thought it would happen overnight," he said.听听

"It doesn't work that way. I love music, but it's听really hard听to earn a buck as an artist. So, I keep playing music as something I do for myself and make a living out of helping other people get the attention they deserve."听

Starting up, Asher set himself a gruelling schedule of up to 100 daily phone calls to establish his presence.听鈥淚 also wanted to learn more about public relations, marketing and media, so I went back to school and enrolled in the Certificate in Public Relations and Communication Management at the 缅北强奸 School of Continuing Studies.鈥澨

At the same time, he provided his services for free or at low-cost and worked as a pharmacy clerk on weekends to pay his living costs. 鈥淎t first I approached unknown artists that I thought had a future,鈥 said Asher. 鈥淚 had early success getting publicity for all styles of popular music, from hip hop and soul to folk and rockabilly to heavy metal, which has become my niche market.鈥澨 听

The volume of Asher鈥檚 life is now set at 11. His clients have expanded to metal festivals across Canada, where he coordinates their media coverage and marketing. "I'm no longer couch surfing and homeless, but not really into making a fortune,鈥 he said. 鈥淚'm in the business to promote talented artists that deserve attention. If I can make a living and help others, I'm happy, because this is a job I truly love.鈥澨

It鈥檚 also a job that has taken him around the world to meet his childhood heroes and where he has crossed paths with members of bands like Annihilator, Testament, Fear Factory,听Pantera, Black Sabbath, DIO, Wu-Tang Clan and OutKast.听听听

However, Asher points out that life on the road is not always as glamorous (or dissolute) as portrayed on the screen.听听听听

鈥淚 recently went on a Canadian tour with the Juno-nominated band, Striker. The trip was mainly a matter of set-up, sound-check, play, sleep, drive on and start again. There wasn鈥檛 much room for anything else.鈥澨 听

Nevertheless, he鈥檚 still asked occasionally why a nice boy from the Montreal suburbs hangs out with people perceived by some as tattooed devil worshippers obsessed with death, plagues and medieval instruments of torture.听听听

Asher believes there are many misconceptions surrounding heavy metal and its outlying sub-genres of death metal and black Metal.听

鈥淣ot all metalheads look like pierced and tattooed extras from a Mad Max movie,鈥 he said. 鈥淪ome wear suits and could be sitting in the cubicle next to you. They just like the music.鈥澨

According to Asher, the gothic icons and demonic references are just part of the show and a way for Average Joes to identify with an underground movement. He also points out that many lyrics have a contemporary social or political message.听听听

鈥淲hether it鈥檚 classical, jazz, rap or metal, all genres of music have an image that does not necessarily represent the real lives of the fans or musicians.鈥澨

鈥淣ot all opera buffs stab their lovers outside a bullfight,鈥 he said, referencing Bizet鈥檚听Carmen, which shocked and scandalized 19th听century audiences.听听听

鈥淏lack Sabbath gained notoriety for biting the head off a live bat onstage, but that was an exception. I went to lunch with the drummer from Cannibal Corpse and he鈥檚 a vegan.鈥澨

Asher鈥檚 various employees over time reflect such lifestyle diversity. They鈥檝e included an international tattoo guru and a part time researcher, named Max, who drove hearses for a funeral company.听听听

鈥淗e was also a 缅北强奸 psychology student,鈥 said Asher. 鈥淚 used to tease him that he commuted from death to Death Metal for a living.鈥澨

In fact, research, psychology (and tattoos) play a vital role in Asher鈥檚 strategies for the timing, use and choice of social, print and electronic media to generate interest in his artists.听听听

鈥淧ublicity stunts are also important,鈥 he said. 鈥淔or online purposes they need to be short and simple with a 鈥榳ow鈥 moment.鈥澨

One memorable stunt was possibly a world first. It involved guitarist Zeke Galt, who jumped from a plane to have the logo of Surefire Machine tattooed on his arm by another free-falling skydiver. They plummeted thousands of听metres听at 200 kph before opening their parachutes and landing safely. The stunt astounded their skydiving instructor, who had to fortify himself afterwards with a few drinks.听听听听

鈥淭he video worked well,鈥 said Asher. 鈥淭he band鈥檚 name and music were widely promoted online and by TV stations as far away as Sweden.鈥澨

More dangerous, it seems, are activities by over-excited fans at some Heavy Metal concerts.听听听

鈥淪ome mosh pits turn out badly,鈥 said Asher. 鈥淚鈥檝e seen kids jump from two floors up and break their legs. We鈥檝e also had some problems with stalkers who get out of hand and harass artists.鈥澨

Despite such incidents, Asher finds the metal scene highly communal. 鈥淭he musicians are very supportive of one another,鈥 he says. 鈥淥ne of my greatest pleasures is attending a performance by a deserving artist I鈥檝e helped promote and watching fans ask for autographs.鈥澨

鈥淚t鈥檚 also great, of course, when a band tells me I helped them get a recording deal with a major label.鈥澨

Asher has seen many changes in the music industry since he started. 鈥淚t鈥檚 all streaming now 鈥 Spotify and YouTube,鈥 he said. 鈥淲hen you ride the metro everyone鈥檚 on their phone, wearing earbuds. Talk to an 18-year-old and they鈥檝e never gone into a music store (if there are any left) and experienced the excitement of finding a CD.鈥澨

鈥淗owever, they still come to the shows and that鈥檚 why ticket prices have gone up for concerts.鈥澨

The digital age has also affected the outlets Asher uses for publicity. 鈥淵ounger bands are not so excited by print media exposure these days. They鈥檙e more interested in engaging fans directly via social media.鈥澨

"The market is saturated with musicians. That means there's a greater demand for publicity services like mine to promote tours, individual performances and sale items such as t-shirts."听听听

And the key to success?听听听

"Don't take anybody for granted, and develop your relationships," he said. "You have to be decisive and to learn from your decision if it's wrong. But most important of all was my family. I couldn't have done it without their support."听

For more information on the听Certificate Public Relations and Communication Management at the 缅北强奸 School of Continuing Studies, visit听mcgill.ca/scs-pr

Richard Andrews

From piranha fishing on the Amazon and tracking down war criminals in Beijing to the boardrooms of Fortune 100 companies, Richard Andrews has more than 30 years of experience in journalism, public relations and freelancing. He writes for travel publications, development agencies, banks, industry groups, newspapers and IT companies on three continents. As a part-time SCS lecturer, Richard enjoys 鈥済etting out of the house鈥 to teach PR and business communication courses.

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