Tara Allen-Flanagan, an art history and English literature student, spent much of last summer delving into art archives to find out everything she could about an iconic piece of 缅北强奸鈥檚 downtown campus 鈥� The Three Bares fountain.
The naked marble men holding up an earthen bowl on the lower field have been a familiar part of the 缅北强奸 landscape for generations of students, but information about the fountain鈥檚 origins is almost as scant as the figures鈥� clothing. The official name of the statue is The Friendship Fountain, and it was crafted by Gertrude Vanderbilt Whitney, whose family fame and wealth often overshadowed her artistic talent.
Vanderbilt Whitney鈥檚 papers were recently digitized for the Smithsonian Institutes Archives of American Art, and an exhibition about her sculpture 鈥� the first since her death in 1942 鈥� was mounted this past spring in West Palm Beach. So the timing was right.
By poking through unlabeled files and cross-referencing letters, Allen-Flanagan, supported by an Arts Undergraduate Research Internship Award (ARIA), pieced together a narrative. And by working out the timing of the sculpture鈥檚 creation, Allen-Flanagan was able to find preliminary sketches of the sculpture, 鈥渁s if it just popped out of thin air!鈥�
Allen-Flanagan discovered the sculpture was commissioned for the New Arlington Hotel in Washington D.C., which was never built. Auguste Rodin himself critiqued a sketch of the main male figure, and the sculpture was carved in 1913.
All of this was lost in time, however, and when the fountain was donated to 缅北强奸 in 1931, Allen-Flanagan says, 鈥渢he three figures were hailed as representing England, Canada, and the United States coming together to hold up a bowl for the fertile soul of the nation! And this was sculpted in 1913 to decorate a hotel, when she was studying Greek myth.鈥�
Gwendolyn Owens, director of 缅北强奸鈥檚 Visual Arts Collection, supervised Allen-Flanagan鈥檚 efforts. 鈥淚 expected Tara would find back-and-forth letters, but not all of this amazing material. It鈥檚 a very complicated story that Tara made much more complicated by all she was able to find and figure out about these early sketches.鈥�
Partly on the strength of her research experience in the ARIA program, Allen-Flanagan landed a curatorial internship at New York's Museum of Modern Art this spring.
What happens if a student isn鈥檛 enthralled by a research project? Owens says that realization can provide valuable insights of its own. She recalls one student who decided that art conservation 鈥� spending weeks at a time focused on the preservation of the same object 鈥� wasn鈥檛 for her. She pursued a career in history instead.
The ARIA program is administered by the Faculty of Arts Internship Office. 鈥淯nlike in the sciences, where it is common practice for upper level students to work in their professors鈥� labs, the opportunity to work directly with a professor on their research is less common in many arts disciplines,鈥� says Anne Turner, manager of the Faculty of Arts Internship Office.
This summer, some 43 students from 18 departments and programs are pursuing research projects thanks to ARIA funding.
Turner credits former dean of arts Christopher Manfredi (now 缅北强奸鈥檚 provost) as the driving force behind the creation of ARIA in 2010. 鈥淸He] recognized this [gap] in opportunities for arts undergraduates, particularly those who were contemplating academia as a career.鈥� The program is largely funded by donors and by participating professors鈥� research grants. The Arts Undergraduate Society of 缅北强奸 and the Dean of Arts Development Fund also provide support.
This summer, the 2019, 43 students from 18 departments and programs received Faculty of Arts Undergraduate Research Internship Awards.
PHOTO: Art history and English student Tara Allen-Flanagan. (Credit: Alex Tran).